Venugopala of Hembargala from Anudinam.org
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Playing
the flute: The Lord could have sung songs but He used a flute and assigned to
it the Acharya sthanam. The Lord prefers to lecture us through an Acharyan. The
flute is in contact with the Lord’s lips and conveys to us the Lord’s
teachings. He wishes for us to approach Him only through an Acharyan. After the
Mahabharata war, He asked Yudhishtirar to approach Bhishmacharyar in order to
learn all the shastras and the Sri Vishnu Sahasranama sthothram. The Lord
instructed Bagawath Geetha and He could have also instructed the Vishnu
Sahasranama Sthothram but He desired for the Pandavas to learn the slokam from
Bhishmacharyar. Flute represents Acharyan and the music Acharyan’s instructions
which reach us to Lord. The Lord also shows to us that all jeevatmas are equal
to each other. Like the air flowing through the flute depending upon the hole
through which it comes out produces different tunes, the jeevatmas are
influenced by karma to take up diefferent bodies.
Govardhana
Leelai: controls hunger. Always chant Govinda while eating.
Vasthrabaharana
Charitram: The Lord showed us that we must approach Him without feeling shy.
The quality of shyness is represented by dress. We cover ourselves because we
feel self-consiouss. The Lord instructed the gopis to approach Him in order to
perform prapatti without feeling self-consiouss. The jeevatmas are all feminine
in nature and the only true male is the Lord. Hence the jeevatmas are
represented as the gopi girls. They approach the Lord without being afraid of
moclery when they come out of the water without their dress and perform
saranagathi. While performing Bakthi Yoga we should leave behind our inhibition
and chant His name loudly. We shouldn’t feel embarassed to wear the thiruman
srichurnam, bear the marks of disc & conch on our shoulders or to wear the
prescribed dress.
Continued On: http://thoughtsonsanathanadharma.blogspot.ca/2014/03/srimadh-bagawatham-krishnavataram-part_23.html
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