Continued From: http://thoughtsonsanathanadharma.blogspot.ca/2013/04/srimadh-bagawatham-dritharashtra.html
After listening to Arjuna’s narration, King Yudhishtirar
decided to quit home. The Pandavas journeyed towards the North.
The five pranas are Prana, Apana, Vyana, Udana and
Samana. The five Pandavas are the five Pranas the vital spirits of the soul. Yudhishtirar
is the vital spirit of the sense of hearing, Bhīma is the vital spirit of
touch, Arjuna is the vital spirit of sight, and the twins are the vital spirits
of taste and smell. The Pandavas together are the jeevatma consisting of the
five Pranas. The soul is married to Intellect. Draupadi is intellect. The
eldest of the Pandava brother is Karna who sided with the Kauravas. Karna
represents mind and the Kauravas the modes of passion. In order to free oneself
from the modes of passion, mind has to be controlled. This is indicated when
Karna is defeated in battle. It is only after defeating Karna that the Kauravas
are defeated.
For a soul to realize the Supreme Self within, the five
sense organs must function well along with the presence of intelligence. A
person must be able to hear well, see well, speak well etc. as well as have the
capacity to think in order to realize the Supreme Self.
Finally when the soul is released from its body, the five
Pranas and Budhi leave first. This is narrated through the following story. The
five Pandavas along with Draupadi leave for Heaven. They climb a mountain to
reach the gates of Heaven. They are followed by a dog. En-route, Draupadi
fell down and died first followed by the twins, Arjuna and Bhīma. In the end
only Yudhishtirar along with the dog arrived at the gates of Heaven (Swarka
Lokam). At the time of death, intellect leaves us first followed by the sense
organs and the five Prana Vayus; this is shown as the death of Draupadi and the
four brothers. Yudhishtirar is now depicted as the jeevatma for the sake of
continuing the story to complete the esoteric meaning. The soul freed from its
body is accompanied only by its Karmas which are represented by the dog.
The Mahabharata is not a myth but is history. It is not
too difficult for Paramatma to set-up a stage and engage actors to illustrate
the hidden Vedantic meanings.
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